POLLEN FORECAST: ANEMOFILA
video live installation, 2016 (10 mnts, canvas + pigment + minidv + sound system)
Territories of Duration, Karsi Gallery, Istanbul, Turkey 22 June – 19 July 2006
(with Cengiz Tekin, Dilek Winchester, Elena Cologni, Genco Gülan, Karl Ingar Røys, Nasan Tur, Shezad Dawood, Sophia Kosmaoglou, Turan Aksoy, curator Gulsen Bal)
A long stripe of elastic cloth draws an arch in the performance space, the lowest part being kept off the floor, hanging from the opposite sides of the ceiling. In the middle of the space, on the floor beneath the white material a stripe of yellow powder. The artist abandons herself onto the canvas till this touches the floor and rolls on it, so that the canvas picks up the yellow dust as this continues. A background voice tell about recent research done on the origin of pollen on the holy shroud and its journey from Palestine, Turkey through Europe. There is no religious statement behind the work, but a conscious decision to work on traces of the roots of the artist’s culture, in an almost distant and detached way. And yet, by enacting such piece, the artist wants to find herself in the position of the person leaving a trace of a journey. Even if it’s a 15 minutes one. The technology employed allows the audience to view close ups of the action from viewpoints that the artist has selected. One of which is the artist’s own.
extract from the text in the installation:
The plants whose pollen is transported by wind are said to have “anemofila” pollination, and produce a higher quantity of pollen if compared to the species called “entomofile”, whose pollen is transported by insects. On the shroud there are better possibilities to find anemofilo pollen type than the entomofilo type. A study was conducted on the intrinsic characteristics of pollen including: dimension, shape and weight, and also the ones coming from plants of single territorial zones and their anemofilo aspect thus determining speed, direction and periodicity of winds. Once those information were collected, the next step was to compare the samples of the pollen taken form the shroud using special masking tapes. Two fundamental considerations are to be made: numerous entomofili type pollen typical from Palestine, Anatolia are present; whereas less numerous are the anemofili type pollen coming from central Europe. The results confirmed though, that the journey was from Palestine to Anatolia and Europe: Jerusalem 33, Constantinople 944, Lerey 1353, Chambery 1453, Turin 1578.
The project curator Gulsen Bal brings forward artist responses by asking where borders and in-between spaces exist in trans-local and/or trans-national boundaries in re-locating European space in order to delineate dynamic answers to static structures.
In this context Territories of Duration explores the temporary mediation systems with its practical ramifications where the new ways of being in the world are re-read to follow unfamiliar routes by questioning ‘difference of identity’ and ‘difference’ which inhibits transitional interactions, and therefore it aims to create a cross-border dialogue at existential territorial boundaries within an interdisciplinary artistic approach.
For this group exhibition, Cengiz Tekin, Dilek Winchester, Elena Cologni, Genco Gülan, Karl Ingar Roys, Nasan Tur, Shezad Dawood, Sophia Kosmaoglou and Turan Aksoy have been invited to present works addressing the questions of new European space and articulation of re-building geographies.
related article Negotiating the In-Between? Karen Edwin, 19 July 2006 on MUTE